Transmission in Motion

Documentation

“Formulating the Serendipitous” – Bernice Ong

At first glance, the phrase ‘designing for serendipity’ comes across as an oxymoron. Serendipity, a situation underscored by chance. Is it possible at all to design for serendipitous encounters? Is there a science behind serendipity? These were some of the questions that rang in my head as we were introduced to the virtual exhibition created…

Read more

“Talk about Serendipity!” – Floor Mijland

In contrast to the previous Transmission in Motion sessions, the format for the seminar of March 31st, entitled ‘Designing for Serendipity’, was different. All participants were invited to visit an online museum curated by a few members from SILT (Subjects of Interdisciplinary Learning and Teaching). The current exhibition centered around the theme of ‘Serendipity’. A…

Read more

“Serendipity and Kairos in Humans and Machines” – Daniël Everts

The most recent Transmission in Motion seminar was somewhat different from the previous seminars. Really, it actually was not a seminar at all, but rather an online field trip to an online museum exhibition titled “Designing for Serendipity” (Domen et al. 2021), created by members of SILT (Subjects in Interdisciplinary Learning and Teaching). The museum…

Read more

“Jazz and Academia” – Hymke Theunissen

In the latest TiM seminar, “Designing for Serendipity”, the research group SILT introduced us to their self-built virtual museum, centered around the theme of Serendipity – the unexpected moment of discovery that happens when looking for something else (Darbellay et al. 2014, 2). The museum was divided into thematically curated rooms. In the green room,…

Read more

“The Language of Serendipity” – Hannah Harder

The authors of “Interdisciplinary Research Boosted by Serendipity,” (2014) describe the concept of serendipity, or unplanned discovery, as productive in interdisciplinary endeavors. Allowing for serendipitous discovery is not only facilitated through an open mind, but one that has the cognitive and creative drive to draw connections between seemingly disparate events (Darbellay, Moody, Sedooka & Steffen…

Read more

“Science-fictionalizing Contemporary Visual Epistemologies: What Might Projection Technologies of the Future Look Like?” – Danny Steur

In “Next Slide Please,” Jennifer Eisenhauer discusses a genealogy of image projection technologies: the magic lantern, the optical lantern and the nowadays omnipresent PowerPoint (2006, 199, 211). Or, more accurately: Eisenhauer dives into the discourses surrounding, and the visual epistemologies belonging to, these projection technologies, which have shifted from magic vision (the magic lantern used…

Read more

“Phantasmagoria Aesthetics: How Knowledge, Communication, and the Spectacle Operate in the Horror Genre” – Naomi Tidball

Frank Kessler, Jamilla Notebaard, and Nico de Klerk’s presentation, enlightened seminar listeners on the history of the Magic Lantern, and how the magic lantern was a (light-)source in transmitting knowledge to students. It is also worth noting, the magic lantern’s use for the spectacle; at the end of the 18th century, phantasmagoria shows were “illuminated…

Read more